This image describe hazy images in itself because of where the idea of the images coming from. It is totally based on my surrounding what I am seeing and make it as itself. But when it comes to my mind after some days later it going to be a memory that could not recognized what it. Haziness is the own beauty of image that are based on my memory. The force of the brush strokes is a physicality of my mind that has a connection with my work.
Sometimes some kind of place we revisit and reconnect with our history and our previous realization our self. River is a space that I try to connect with this place some of my works. This works are describing photography quality and the living space of human through the motifs in painting. This work has a moment that is indicate the existence of the human. The image make with full of black dots and smoke create a suffocation space in the image. I think the image is kind of reality and we suffer all time with this thing in urban spaces. It is kind of space where human intervention and effect has continued by itself.
I spent more times because put more into it and sometimes not for the sense of urgency. I lay emphasis on the role of materiality to portray not only how we abstractly relate to space, But also to the ways in which a space with its living and non-living components-carries within itself aspects of travel, time, stages and transformation. In this images land and objects are making a space that describe an existence of human and how to utilize the land. I used same image like a one by one like a scroll.
This work I have started in the beginning of the year of 2021 and work was started from Hyderabad and I have try to redevelop this material in my work. I have interested about the landscape surrounding me but land images coming to me through the urban spaces. So try to make windows and play with the colour of the land. The abstraction quality of my work gives me a sense of the skyscraper or brown soil.
The separation of line and color evident in my works and line is defined by the boundaries of colored forms and color is the basic constructive substance rather than merely in additional source of decorative pleasure. The landscape motifs as a convenient reference point for the exploration of my long-standing interest in landscape, light and pattern. Adoption of the Impressionist practice of produced a number of views of the same space under different times of the day and different weather of my place. My tests have to the full the acuteness in objects, landscapes observations, studying the effects of transparency and opacity in image making.
The idea of a lived space is heavily dependent upon our approach how we see it. How we act in it and interpret it, each and everything and inanimate being contribute to the notion of space. The making of the images is more important than how it transforms images from reality what we see, which are always taken up into the environment and created with pigments, materials, lines and forms. I have carried diary for documentation of some spaces and objects. Recently I am living a space that is coalescence of land and erection so two different things are coming in one medium and surface. Process of image making is direct with space so it is easy to assume the whole space.
The initial analysis help in finding new stands which helped me to understand the space of surrounding through the human activity, land, objects and natural phenomenon. I discovered the space because not only for personal, this is carrying a history with a story of personal learning process. The surface demonstrated such a direct physical involvement with the materials, actually kneading and rubbing the surface, for instance to fuse the texture of the soil of land. Try to integrate the activities of drawing and painting in a way to make flat areas of colors and other images alike are produced by the same method.
My practice involved close to the aspect of the personal narraive of space that translate an image that from my surrounding. because, sometimes I take references the image that I have drown directly and collected photographs from the space. long time distance from home and this distance slowly near into a relationship of an understanding association with my home and srrounding land and trying to an attempt at tracing my space by understand by physical and psychological aspects of understand the space.
This work was started at start of the 2020 but my work was progressed for long time. I can understand the time some dates are written so it is to understand the state of the non living object. Cut of branch, separation of paper and text are talking the space where I was lived. I lay emphasis on the role of materiality to portray not only how we abstractly relate to space, But also to the ways in which a space with its living and non-living components-carries within itself aspects of travel, time, stages and transformation.
Short description about my works:
All works have done in long time so same thing coming at various way of approach. Making of barn mark and create two type of space background of the drawing. Subject of drawings are coming from normally view from nature and land like all are natural phenomena. Try noticed what attendant to be motifs and details of stories as re-traced the path of the visual, imagination and memory illuminated in my work. I am trying to allow losing and finding myself in the journey of the image making process.
